in my absence from my regular blog entries i have been very musically active and involved in projects, activities and gigs that have greatly developed my skills and experience in becoming a session musician. The first project i was involved in was recording a single track for Alex Mckeating, Alex wanted a demo track recorded for his new band that he was starting up so that he had material to show prospective band members. It was very valuable experience for me as it was an opportunity to be put in a very session musician like situation where by i had limited time to learn a track yet be fully ready to record it in a studio. This meant that i had to approach the situation very professionally and make sure that the few practices we had where constructive and we used the time effectively. When it came to recording the track at lofi, it was the first time i had played with the bassist as in the rehearsals it had just been me and alex. This was good for developing my interpersonal skills as i had to quickly get to know someone i was going to work with that day and make the situation feel relaxed so that we could record a good track. I imagine being a session musician will involve meeting new musicians all the time so being friendly and approachable would be vital. If u are relaxed you play a lot better so it is good to put people at ease so that everyone can play to there best ability and get the best results possible. The session was also done as a live recording, therefore the track had to be totally right all the way through as it wasn't done to a click so now drop in's or loops could be done. This meant i had to stay relaxed, focused and have faith in my abilities to give a good performance. This has given me great confidence in my playing and my skills as musician, i am very pleased with my performance on the track and Alex and his band mate are also very pleased with the sound. Being a session musician is all about pleasing the person who has employed you so i was pleased that Alex was happy with the turn out. The whole experience i found was a great opportunity for me to approach a project very professionally and develop my skills as a session musician. Also i now have a good track that i can use as evidence of me in a session that i can hopefully use to get more work.

Another event that i was involved in was a fund raising gig in the Tunnels in Aberdeen. What made this gig more challenging than usual was that i was playing in two of the bands on the line up. Not only was i playing with my usual alternative rock band Eat Dr Ape, i was also playing in my brothers project which is a folk/reggae band with an african influence. The two bands have very contrasting styles and the drums have a very different role in the two bands. This meant that i had to change my approach to my playing for the two different performances to ensure that i made the both bands sound good on the night. To be a successful session musician you need to be versatile  in the genres and styles that you can play, and adapt to the feel and the vibe of each artist that you play for. This gig was  great for me to develop these skills, so that i can be a good choice of drummer for many artists no matter what the genre. The gig was also recorded so i have evidence to show my versatility and my ability to quickly change my approach and style in a live situation.

One of the most exciting projects that i have recently been involved in was playing Carlos Nunez at Celtic Connections. I got the opportunity because i am a member of Perth College samba band Rhythm Wave. Ronnie, the band leader, had been contacted by Carlos and asked to provide a rhythm section to five of his pieces that he would be performing at the show. The tracks that we where playing where very different to anything i had ever played before and the role that i played in the performance was totally different to anything i had experienced before. The pieces were all very progressive and involved having to count bars a lot. This was new to me as i usually play very section based music which doesn't involve the need to count bars very much as you just remember were the changes are. So this experience with the need to really count and stay aware of where i was in the tune was very new to me and it really developed my skills in chart reading. Reading charts is vital to being a session musician as you can be handed a score and be expected to play the piece almost immediately, so this experience of chart reading was very valuable to me. Carlos Nunez is also a world renowned musician and was one of the main headline acts of the festival. This meant i had to be extremely professional in my approach to the project, such as showing up to all the rehearsals on time, and quickly take on board all direction given to me from Ronnie or Carlos. In my session musician career i hope to have the opportunity to play with lots of greatly respected musicians, but the only way you will get the gigs is if you can play exceedingly well and are very professional in your approach to your job. We also didn't play with the rest of the band until the sound check on the day of the performance, as in the rehearsals we were just playing to a backing track. This meant that i had to be aware of any changes that differed to the recorded track so that i still played everything correctly and produced a good sound. The final performance was in front of close to 2000 people in the Glasgow Concert Hall so i had to make sure i didn't get nervous and still approached the performance with confidence and delivered what was required of me. I found that the whole project was a great insight into the professional music performance industry and gained much valuable  experience that i can use to pursue my session musician career.